The typical sign of Mario Botta's architecture, characterized by pure geometric volumes wisely interconnected, is clearly visible on the Charlotte armchair. The cylindrical element is the starting point which, in the upper section, extends inside to create a seat that seems suspended in nothingness. The absolute but empty volumes make Charlotte monolithic and at the same time light. Hand woven with natural wicker with a thin and always constant section, Charlotte has a line suitable for both domestic and commercial environments.
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Born April 1, 1943 in Mendrisio, Ticino. After an apprenticeship at the architects Carloni and Camenisch in Lugano, he attended the art school in Milan and continued his studies at the University...